Deutsche Welle
They recognise how unfamiliar objects move, find their way in rooms they don’t know, and securely grasp completely differently shaped objects. Oliver Brock has programmed his robots so they can almost learn the way people do. His trick is an algorithm that trawls through large amounts of data and subdivides movements into individual segments.
Oil Refineries that has continuously benefited from Mr. Andres Agostini’s White Swan Transformative and Integrative Risk Management. The White Swan Idea is at https://lifeboat.com/blog/2014/04/white-swan
Through five and half years, the White Swan Book’s Author Andres Agostini concurrently managed the risks of the world’s number 1 and the world’s number 3 Oil Refineries. There is a sample of installations of these two refineries.
Oil and Gas Tankers (maritime vessels) that has continuously benefited from Mr. Andres Agostini’s White Swan Transformative and Integrative Risk Management. The White Swan Idea is at https://lifeboat.com/blog/2014/04/white-swan
Through five and half years, the White Swan Book Author Andres Agostini concurrently managed the risks of ten (10) oil and gas tankers (maritime vessels). There is a sample of five (5) vessels here.
The Lifeboat Foundation Worldwide Ambassador Mr. Andres Agostini’s own White Swan Dictionary, Countermeassuring Every Unthinkable Black Swan, at https://lifeboat.com/blog/2014/04/white-swan
WHITE SWAN — UNABRIDGED DICTIONARY
Altogetherness.— Altogetherness is the quality of conforming to the ability to investigate with all or everything included.
BBC
Two robotics experts, Prof Ronald Arkin and Prof Noel Sharkey, will debate the efficacy and necessity of killer robots.
The meeting will be held during the UN Convention on Certain Conventional Weapons (CCW). A report on the discussion will be presented to the CCW meeting in November. This will be the first time that the issue of killer robots, or lethal autonomous weapons systems, will be addressed within the CCW.
— Popular Science
It happens quickly—more quickly than you, being human, can fully process.
A front tire blows, and your autonomous SUV swerves. But rather than veering left, into the opposing lane of traffic, the robotic vehicle steers right. Brakes engage, the system tries to correct itself, but there’s too much momentum. Like a cornball stunt in a bad action movie, you are over the cliff, in free fall.
Your robot, the one you paid good money for, has chosen to kill you. Better that, its collision-response algorithms decided, than a high-speed, head-on collision with a smaller, non-robotic compact. There were two people in that car, to your one. The math couldn’t be simpler.
The Huffington Post UK
A venture capital firm in Hong Kong has hired an artificially intelligent algorithm to its board of directors.
Read that again.
Deep Knowledge Ventures said that the AI would help make financial and business decisions, help lead its research into biotechnology and regenerative medicine, and would act as an “equal member of the board”.
I recently saw the film Transcendence with a close friend. If you can get beyond Johnny Depp’s siliconised mugging of Marlon Brando and Rebecca Hall’s waddling through corridors of quantum computers, Transcendence provides much to think about. Even though Christopher Nolan of Inception fame was involved in the film’s production, the pyrotechnics are relatively subdued – at least by today’s standards. While this fact alone seems to have disappointed some viewers, it nevertheless enables you to focus on the dialogue and plot. The film is never boring, even though nothing about it is particularly brilliant. However, the film stays with you, and that’s a good sign. Mark Kermode at the Guardian was one of the few reviewers who did the film justice.
The main character, played by Depp, is ‘Will Caster’ (aka Ray Kurzweil, but perhaps also an allusion to Hans Castorp in Thomas Mann’s The Magic Mountain). Caster is an artificial intelligence researcher based at Berkeley who, with his wife Evelyn Caster (played by Hall), are trying to devise an algorithm capable of integrating all of earth’s knowledge to solve all of its its problems. (Caster calls this ‘transcendence’ but admits in the film that he means ‘singularity’.) They are part of a network of researchers doing similar things. Although British actors like Hall and the key colleague Paul Bettany (sporting a strange Euro-English accent) are main players in this film, the film itself appears to transpire entirely within the borders of the United States. This is a bit curious, since a running assumption of the film is that if you suspect a malevolent consciousness uploaded to the internet, then you should shut the whole thing down. But in this film at least, ‘the whole thing’ is limited to American cyberspace.
Before turning to two more general issues concerning the film, which I believe may have led both critics and viewers to leave unsatisfied, let me draw attention to a couple of nice touches. First, the leader of the ‘Revolutionary Independence from Technology’ (RIFT), whose actions propel the film’s plot, explains that she used to be an advanced AI researcher who defected upon witnessing the endless screams of a Rhesus monkey while its entire brain was being digitally uploaded. Once I suspended my disbelief in the occurrence of such an event, I appreciate it as a clever plot device for showing how one might quickly convert from being radically pro- to anti-AI, perhaps presaging future real-world targets for animal rights activists. Second, I liked the way in which quantum computing was highlighted and represented in the film. Again, what we see is entirely speculative, yet it highlights the promise that one day it may be possible to read nature as pure information that can be assembled according to need to produce what one wants, thereby rendering our nanotechnology capacities virtually limitless. 3D printing may be seen as a toy version of this dream.
Now on to the two more general issues, which viewers might find as faults, but I think are better treated as what the Greeks called aporias (i.e. open questions):
Continue reading “What to make of the film 'Transcendence'? Show it in classrooms.” »
Impending technological change tends to elicit a Janus-faced reaction in people: part awe, part creeping sense of anxiety and terror. During the Industrial Revolution, Henry Ford called it the “the terror of the machine.” Today, it’s the looming advancements in artificial intelligence that promise to create programs with superhuman intelligence—the infamous singularity—that are starting to weigh on the public consciousness, as blockbuster ‘netsploitation flick Transcendence illustrates.
There’s a danger that sci-fi pulp like Transcendence is watering down the real risks of artificial intelligence in public discourse. But these threats are being taken very seriously by researchers who are studying the existential threat of AI on the human race.
Sam Machkovech — ars technica
Up until this point, the musical genre known as “drone rock” had been a weird, indie niche that consisted of slow, loud guitar noise. If machinists and programmers have their way, that description will need some major rewriting—but it’ll probably seem just as weird.
This week, a team at Philadelphia-based KMel Robotics, known for building airborne video recording solutions, turned their robot-making talents to creating a band. The company pre-programmed a six-aircraft ensemble to hover over instruments and strum or strike without any human interaction, other than the team’s initial strike of a “play” button.
