And at its core are two divergent hypotheses.
On the one hand, it could be that consciousness exists as a constant, uninterrupted stream of perception, like how it feels to watch a movie. You sit down with your popcorn and experience a film from beginning to end in one continuous flow, unaware of any segmentation or breakup as you go.
But another hypothesis of consciousness reflects what a film technically is: a series of individual frames of time stitched together into a reel that – when played back – appear seamless. So which is it? Is consciousness a seamless film, or is it a reel composed of discrete moments?
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