Lifeboat Foundation

Hayley Harrison is on a constant Roll… Here she sent me privately this video of the great Bill Faloon… I have not completed the video as yet… But the beginning is awesome I will watch late tonight during my down time… Great Respect to Life Extension and Bill Faloon and Neal Francis Vanderee two of the Longevity Movements most interesting characters and the movements many activists such as Hayley “the watchful” Harrison… AEWR.

My mission is to drastically improve your life by helping you break bad habits, build and keep new healthy habits to make you the best version of yourself.

Continue reading “Brent Nally interviews Bill Faloon about his longevity clinical trial” »

This is what 500 Intel drones look like in a tribute to women in tech at the Intersect Festival. A collaboration with Kacey Musgraves and a female-led drone team at Intel to use the power of music and tech to create this dazzling moment & donate $50k to Girls in Tech from Amazon Web Services to empower our sisters in tech.

Drone Light Show by Intel
Produced by Production Club
Directed by Eva Dubuvoy of Verluxe
Aerial Footage by LA Drones
Music “Oh, What a World” by Kacey Musgraves.

Summary: Researchers reveal the right homologue of the Broca’s area plays a major role in the processing of music.

Source: Max Planck Institute.

Vincent Cheung, along with Angela Friederici, has been investigating non-local dependencies in music and trying to determine how the human brain processes them. In language and music, dependencies are conceptual threads that bind two things together. Non-local dependencies bind non-adjacent items. For example, in pop music, the second instance of a verse, following a chorus, would have a non-local dependency with the first instance of the verse. Experientially, it is clear to us that we are hearing a sequence that we have heard before. According to Cheung, composers use such devices to build up our expectations and elicit strong emotional responses to the music. But how does the brain recognize these patterns and what does this have to do with Paul Broca?

The ONE Mini is a Swiss Army knife of translation tech, interpreting 12 different foreign languages with a host of features. The audio recorder captures speech, then uses cutting-edge neural machine AI to produce highly accurate text or verbal translations. If you’re in a foreign country, ONE Mini can literally be your voice as you navigate the culture.

ONE Mini also provides premium live interpreter service 24 hours a day, 7 days a week for conversations that require more complex interaction. With a single button push, ONE Mini connects via Bluetooth with a qualified interpreter able to offer full nuanced communication so important details don’t get lost in translation.

Continue reading “This A.I. pocket device translates languages in real-time” »

NOTE FROM TED: Please do not look to this talk for medical advice. This talk, which was filmed at a TEDx event, contains strong assertions about multiple sclerosis and lifestyle medicine that lack sufficient scientific evidence for general prescription. TEDx events are independently organized by volunteers. The guidelines we give TEDx organizers are described in more detail here: http://storage.ted.com/tedx/manuals/tedx_content_guidelines.pdf

After a shocking diagnosis that would begin stripping Bob Cafaro of his ability to perform, sheer willpower and changes to his daily life allow him to beat all odds.

Continue reading “The Psychology of Beating an Incurable Illness | Bob Cafaro | TEDxCharlottesville” »

The Future of Intelligence, Artificial and Natural
https://www.creativeinnovationglobal.com.au

Ray Kurzweil is one of the world’s leading inventors, thinkers, and futurists, with a thirty-year track record of accurate predictions. Called “the restless genius” by The Wall Street Journal and “the ultimate thinking machine” by Forbes magazine, he was selected as one of the top entrepreneurs by Inc. magazine, which described him as the “rightful heir to Thomas Edison.” PBS selected him as one of the “sixteen revolutionaries who made America.”

Continue reading “Ray Kurzweil (USA) at Ci2019 — The Future of Intelligence, Artificial and Natural” »

Haven’t heard from Fossel in awhile. This is long but well indexed in the notes.

My mission is to drastically improve your life by helping you break bad habits, build and keep new healthy habits to make you the best version of yourself.

Continue reading “Brent Nally interviews Dr. Michael Fossel about Telocyte and telomerase gene therapy on 11/16/2019” »

We are proud to share with you a new video featuring our friends War & Pierce performing their original song, “I Lived To Tell About It,” live outside in Los Angeles. Turn it up and remember we are stronger than any obstacle or challenge we may face. Together, we will persevere in love and peace.

Hear more and connect with War & Pierce:
www.warandpierce.com
https://www.facebook.com/warandpierce

Tweets by warandpierce
https://www.instagram.com/warandpierce/

Continue reading “I Lived To Tell About It | War & Pierce | Playing For Change | Live Outside” »

The celebrated painter Jackson Pollock created his most iconic works not with a brush, but by pouring paint onto the canvas from above, weaving sinuous filaments of color into abstract masterpieces. A team of researchers analyzing the physics of Pollock’s technique has shown that the artist had a keen understanding of a classic phenomenon in fluid dynamics—whether he was aware of it or not.

In a paper published in the journal PLOS ONE, the researchers show that Pollock’s technique seems to intentionally avoid what’s known as coiling instability—the tendency of a viscous fluid to form curls and coils when poured on a surface.

“Like most painters, Jackson Pollock went through a long process of experimentation in order to perfect his technique,” said Roberto Zenit, a professor in Brown’s School of Engineering and senior author on the paper. “What we were trying to do with this research is figure out what conclusions Pollock reached in order to execute his paintings the way he wanted. Our main finding in this paper was that Pollock’s movements and the properties of his paints were such he avoided this coiling instability.”